In the near future, in a world born of human imagination, what humans would call ghosts or monsters appear, and they come to be called “phantoms.” Haruhiko Ichijō, is a first year at Hosea Academy along with his upperclassman Mai Kawakami, who fights phantoms with the ability “Spirit of Five Elements,” Reina Izumi, who has the ability “Phantom Eater,” and Koito Minase, who fights phantoms in solitude. They experience the ups and downs of high school life before a certain incident leads them to the truth of this world. ~ANN
Animation Production: Kyoto Animation ( Amagi Brilliant Park, Free!, K-On!, Chūnibyō demo Koi ga Shitai!, Figure 17, Full Metal Panic!, Hibike! Euphonium, Hyōka, Kanon, Kyoukai no Kanata, Lucky Star, Nichijo, Sora o Miageru Shōjo no Hitomi ni Utsuru Sekai, Tamako Market)
Director: Tatsuya Ishihara ( Director on Air / Director on Chūnibyō demo Koi ga Shitai! / Episode Director on Fushigi Yugi episode 19 / Chief Director and Storyboard on Haruhi Suzumiya film and TV series / Director on Nichijo / Director on Hibike! Euphonium / Storyboard and Episode Director on Tenchi Universe episodes 3, 8, 13 and 23)
Series Composition: Fumihiko Shimo ( Series Composition on Air, Aria the Scarlett Ammo Double A, Clannad, Melancholy of Haruhi Suzumiya, Kokoro Connect, and most of Kyoto Animation and Ishihara’s directorial projects)
Character Designer: Kazumi Ikeda ( Animation Director on Air episodes 2, 5 and 8 / Animation Director on Amagi Brilliant Park episodes 5 and 11 / Character Designer and Chief Animation Director on Clannad / Key Animator on Free! ending sequence / Character Designer on Chūnibyō demo Koi ga Shitai! / Animation Director on Hibike! Euphonium)
Music: EFFY ( Wrote insert song arrangements for Cross Ange, Magical Girl Lyrical Nanoha the Movie 2nd A’s and No-Rin)
Episode 1 Production Details
Episode Director: Ichirou Miyoshi ( Episode Director and Storyboard on Air episode 11 / Storyboard and Episode Director on Full Metal Panic! The Second Raid episodes 4 and 12 / Storyboard and Episode Director on Gate Keepers 21 / Storyboard and Episode Director on K-On! season 2 episode 4)
Storyboards: Yasuhiro Takemoto ( Director on Amagi Brilliant Park / Key Animator and Storyboard on Amagi Brilliant Park ending sequence / Storyboard and Director on Amagi Brilliant Park opening and ending sequences / Storyboards on Kaze no Yojimbo episodes 4 and 22 / Storyboards and Episode Director on Kyoukai no Kanata episodes 2, 4 and 10)
Script: Fumihiko Shimo ( Script Writer on Amagi Brilliant Park episodes 1, 2, 8, 11 and 13)
Typical Kyoto Animation. They produce about one series a season and it’s all in-house staff. Character Designs, backgrounds, musical style, color designs every aspect of this show seems to me a lot cheaper to do with an average budget. I like how visually imaginative this show is but for realism purposes I can’t continue it because it does not make sense. If our brains were altered we could possibly see pixie girls and giant monsters?
Optical illusions play a big part of this show and it was a good choice to use Kyoto Animation for this premise. However, it’s not straying away from their usual works. Adaptation from light novel material with a large amount of fanservice and moe. Apart from the beautiful animation and top notch sequences by Kyoto’s in-house animators Taichi Ishidate, Shinpei Sawa and Kouhei Nakahara we just have a generic Kyoto Animation fanservice fluff show. Boring. Please do something more interesting.
This was a step-down from what they’ve delivered in previous years with Hyoka, Haruhi Suzumiya and Air. The definite killer for me in this was Mai Kawakami’s breasts becoming a major plot point and resolution to the totem poles situation. What? At least the 16-bit style was a cool addition that’s out of the norm for Kyoto Animation. I don’t have a valid reason to watch this show other than for its animation.
OP: “Naked Dive” by SCREEN mode
Directed by: Tatsuya Ishihara
Storyboards: Tatsuya Ishihara
Animation Supervisor: Kazumi Ikeda ( Key Animator on Naruto episode 55)
Generic J-Rock that has a style similar to the artist Mell. The animation cuts and transitions aren’t good as it focuses more on fanservice rather than being original. Cookie cutter character designs. Come on Kyoto! Branch out more! I will say this. If there’s a studio saving the industry in getting otaku to purchase their products it’s Kyoto Animation and SHAFT studios. It’s like I’ve mentioned before sometimes you have to be more visually appealing than have a decent story however this studio does the same stuff way too often. This opening clearly indicates that.
ED: “Junshin Always” (純真Always; Innocence Always) by Azusa Tadokoro
Directed by: Yasuhiro Takemoto ( Director and Storyboards on Amagi Brilliant Park opening and ending sequences)
Storyboards: Yasuhiro Takemoto
Animation Supervisor: Kazumi Ikeda
Japanese Seiyuu with two series this season–Divine Gate’s Bedivere and this anime’s Ruru. It’s not a big surprise that they used a seiyuu to do the ending song for this. Just like the opening this was generic. Mostly with Ruru flying.
OVERALL IMPRESSION: 4/10