Episode 8 Production Details
Episode Director: Ikuro Sato ( Director on FullMetal Alchemist: BROTHERHOOD‘s Second Ending Sequence and Third Opening Sequence / Director on STAR DRIVER‘s Second Opening Sequence / Director on No. 6‘s Opening Sequence / Director on Captain Earth‘s First Ending Sequence / Episode Director on Zetsuen no Tempest episodes 14 and 23 / Episode Director on Space Dandy episode 4 / Episode Director on Akagami no Shirayukihime episodes 5 and 11 / Episode Director on Soul Eater episodes 4, 8, 18, 24, 31, 40, 41, 48 and 51 [alongside Takuya Igarashi)
- Rie Matsumoto (Episode Director on Yes! Precure 5 episodes 14 and 24 / Storyboard and Episode Director on Saint Seiya Omega episodes 3 and 10 / Series Composition and Storyboards on Kyousogiga)
- Miyao Yoshikazu (Series Director on Magi: Sinbad no Bouken / Storyboard on Soul Eater NOT!‘s First Ending Sequence / Storyboard on Sakura Trick episode 9 / Storyboard on Haikyuu! 12 / Storyboard on Magi: The Kingdom of Magic episode 6)
Script: Kazuhisa Furuya (Series Composition on Kekkai Sensen)
How is it possible that this show keeps getting better every episode?! This episode turns back to its genuine comedy from when the series began by using Zapp as the butt of every joke. Especially when it comes to seeing Chain interact with him! The chemistry between the two of them is pure gold! There’s some obvious relationship tension there, with jealousy biting from both sides. Zapp fending off against a Blood Breed was only a teaser for part two in the next episode! Incredibly detailed fight scenes coupled with Zapp’s Master (Raju Jugei Shizuyoshi) makes for some solid character development.
Jugei’s appearance is somewhat ghastly, having lost limbs at some point in time, his choice of words to Zapp that he doesn’t care if he lost limbs speaks a lot about how serious this master really is and how little he cares for Zapp as a person and more as his best disciple. Much like Space Dandy did in building the world to its audience Kekkai Sensen highlights the supernatural aspect of this series by introducing a diverse cast of side-characters that become a bridge in further explaining the main casts’ personalities and endeavors! This especially works with a 1-cour series like this one! Fat Zapp was some sight to see!
What makes this episode particularly amazing is how this was just a small bit of fun added to this episode–the main treat ends up being about White and Black. Their real names are revealed (Mary and William) and we finally get an explanation behind the mystic aura surrounding these two siblings. They never had their powers to begin with. Which if you recall from the first episode is similar to Leonardo’s situation with his all-seeing eye and his sister.
What the creators did here was very smart–they showed us Zapp’s day to day life and framed it inside Black’s backstory of how he became the King of Despair. Which also explains his ties to the King of Depravity, Femt. The significance of seeing his watch all throughout this episode seemed to illustrate that Despair can only control William’s body for a short amount of time. Especially since at the end of this episode we see the King of Despair in a mirror image talking to Black and then taking over his body. The blue-hued past sequence was animated nicely. If I hadn’t been reading the manga I wouldn’t have guessed that he was an anime-only character as he’s so well-developed and fits right into the cast exceptionally well!
Another amazing episode of Kekkai Sensen! I hope Matsumoto makes another season of this because this has been a fun ride! I believe to be one of the best parts about this show is that it doesn’t spoon-feed the story to you.
[Previous Works Include]
- Soul Eater episode 11 (Key Animator)
- Soul Eater Fight Sequence during Second Opening (Key Animator)
- Cowboy Bebop The Movie – Spike Spiegel’s fight scene in the train with Vincent (Key Animator)
[Previous Works Include]
- Toriko episode 6 [Key Animator]
- Summer Wars film – creature fight sequence inside virtual reality space.
- Kurage no Shokudou OVA – running sequence where the camera pans backwards revealing a wide shot of night time against the ocean and very fluid character acting scenes through the water.
OVERALL IMPRESSION: 10/10